Russian-Swedish filmmaker working at the intersection of personal memory, experimental form, and documentary impulse. His work explores displacement, guilt, and the impossible distance between people who love each other.
Russian-Swedish filmmaker working at the intersection of personal memory, experimental form, and documentary impulse.
Heat. Country house. Two boys are shooting bottles with air guns. Anton shifts the scope from the bottle to the cat running through the bushes and pulls the trigger. Zhenya gets scared and decides to punish his friend with silence. The speechlessness of their last summer together hangs over their friendship.
A boy. A mother. A second of shame that has lasted twenty years.
Józef is a personal essay film that moves between archival footage, a handcrafted black-and-white expressionist sequence shot on 16mm, and video game animation — three registers of memory, guilt, and imagined love.
History, memory, and a video game. A confession that took twenty years to make.
An article about Aleksandr Belov and his filmmaking practice, published in Triart — a Swedish platform for art and culture.
⚠ Article in Swedish
→ Read ArticleFilm director and MA graduate of Stockholm University of the Arts (SKH), working within practice-based artistic research. Background spans directing, editing, on-set coordination, and festival industry work — with experience as 2nd AD, editor, and production intern at international film institutions including PÖFF and CPH:DOX.